Readers don’t know much about Valencia, but they do know
that she eats candy.
Early in the book, when Valencia visits Billy in the
veterans’ hospital, the first proper description of her focuses on her eating
habits “She was as big as a house because she couldn’t stop eating. She was
eating now. She was eating a Three Musketeers Candy Bar” (107). Later in that scene
readers are notified that “Billy’s fiancée had finished her Three Musketeers
Candy Bar. Now she was eating a Milky Way” (110). Then when Billy gets on the
plane that later crashes, “Outside the plane, the machine named Valencia Merble
Pilgrim was eating a Peter Paul Mound Bar and waving bye-bye” (154).
The specificity of the types of candy is what made these
passages stand out to me but I’m not sure why Vonnegut includes them. All three
candies are made by large corporations (Mars and Hershey’s). They are all still
popular and well-known candies today. They are emblems of the American culture
of decadent and uniform mass consumption. How this emblem fits into the larger
themes of the book is unclear to me.
Vonnegut could be trying to show that after the war (and the
hunger he experienced in it) Billy has become disillusioned with American
culture in a small way. Billy is harshly critical of Valencia’s appearance and by
extension the eating habits he blames it on: “Billy didn’t want to marry ugly
Valencia” (107). However, I think it is more likely that Billy is buying into
American culture including beauty and behavioral standards for women in the
same way he’s cool with the Lion Club and his son being a green beret.
It is also possible that Vonnegut is showing his own
disillusionment with American culture. The Three Musketeers candy calls to mind
Roland Weary’s three musketeers, a romantic idea of war that Vonnegut outright
mocks. Vonnegut could also be mocking American consumer culture through mocking
an idealized diet. Yet for the most part Vonnegut seems to be okay with
consumer capitalism. At least when the narrator visits East Germany, he doesn’t
value communism any more than capitalism.
Vonnegut could also be using the candy to try to make
Valencia a weak character. In the scene in the veteran’s hospital, Vonnegut
makes Valencia eating candy out to be a failing of self-control. In the scene
by the plane, the Mound Bar is immediately followed by Valencia “waving bye-bye,”
the combination of candy and that phrase make her seem juvenile.
The role of candy is complicated by the experience of the
narrator in chapter one. The woman writing the article the narrator reports on
asks the narrator about the veteran who got smashed in an elevator: “’Did it
bother you?’ she said. She was eating a Three Musketeers Candy Bar” (9). Here
the candy bar also shows the writer’s heartlessness. She can ask direct
questions about a tragic event that she knows the reporter might have personal
connections to and doesn’t care enough to give it her full attention, instead
focusing partly on the pleasurable experience of eating a candy bar.
The scene with the writer also could show a disconnect
between the returned soldier and American culture. The candy bar is still and
emblem of American culture. The narrator calls the female writers “beastly
girls” and so is obviously upset by them (9). That Vonnegut chooses to portray
how beastly they were using the emblem of American culture could show some sort
of disillusionment with it. The consumption of the candy bar also follows a
mention that women writers “had taken over the jobs of men who’d gone to war,” which
links it pretty directly to a cultural change (9).
I think the writer’s and Valencia’s experiences are
connected, especially given that they eat the same type of candy: “a Three
Musketeers Candy Bar.” Yet in one case the candy shows the consumer is
hard-boiled and in the other it shows that she’s weak and I’m not sure how
those messages can fit together. I think the negative attitude the narrator and
Billy have towards the candy could show a disillusionment with American decadent
mass-consumption culture but I’m not sure what role this plays in an anti-war
novel. What do you guys think?
Both senses of the "Three Musketeers" in the novel (the candy and Roland's group) are just fakers that can't approach the literary Three Musketeers. Roland uses the name to create an air of camaraderie and confidence, when they have neither. The candy bar just uses the name to sound cool and sell more candy. If there actually were a group that could reasonably claim the name "Three Musketeers," it would go against the novel's anti-war premise.
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